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Bergson The sole exception to this Greek view — a great exception — was poetry.
The poet made new things — brought to life a new world — while the artist merely imitated. And the poet, unlike the artist, was not bound by laws. There were no terms corresponding to "creativity" or "creator," but in reality the poet was understood to be one who creates.
And only he was so understood. In music, there was no freedom: In the visual artsfreedom was limited by the proportions that Polyclitus had established for the human frame, and which he called "the canon" meaning, "measure". Plato argued in Timaeus that, to execute a good work, one must contemplate an eternal model.
Later the RomanCicerowould write that art embraces those things "of which we have knowledge" "quae sciuntur". Book I of the Odyssey asks, "Why forbid the singer to please us with singing as he himself will? Horace wrote that not only poets but painters as well were entitled to the privilege of daring whatever they wished to "quod libet audendi".
In the declining period of antiquity, Philostratus wrote that "one can discover a similarity between poetry and art and find that they have imagination in common. Latin was richer than Greek: As the 6th-century Roman official and literary figure Cassiodorus wrote, "things made and created differ, for we can make, who cannot create.
This is seen in two early and influential Christian writers, Pseudo-Dionysius and St. Later medieval men such as Hraban the Moorand Robert Grosseteste in the 13th century, thought much the same way. The Middle Ages here went even further than antiquity ; they made no exception of poetry: Renaissance men had a sense of their own independence, freedom and creativity, and sought to give voice to this sense of independence and creativity.
The philosopher Marsilio Ficino wrote that the artist "thinks up" "excogitatio" his works; the theoretician of architecture and painting, Leon Battista Albertithat he "preordains" "preordinazione" ; Raphaelthat he shapes a painting according to his idea; Leonardo da Vincithat he employs "shapes that do not exist in nature"; Michelangelothat the artist realizes his vision rather than imitating nature; Giorgio Vasarithat "nature is conquered by art"; the Venetian art theoretician, Paolo Pinothat painting is "inventing what is not"; Paolo Veronesethat painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari —that the artist shapes "a new world, new paradises"; Cesare Cesariano —that architects are "demi-gods.
It was linked with the concept of imaginationwhich was on all lips. Joseph Addison wrote that the imagination "has something in it like creation. Denis Diderot felt that imagination is merely "the memory of forms and contents," and "creates nothing" but only combines, magnifies or diminishes.
Charles Batteux wrote that "The human mind cannot create, strictly speaking; all its products bear the stigmata of their model; even monsters invented by an imagination unhampered by laws can only be composed of parts taken from nature. The expression, "creation," was then reserved for creation ex nihilo Latin: Second, creation is a mysterious act, and Enlightenment psychology did not admit of mysteries.
Third, artists of the age were attached to their rules, and creativity seemed irreconcilable with rules. The latter objection was the weakest, as it was already beginning to be realized e.
Now not only was art regarded as creativity, but it alone was so regarded. When later, at the turn of the 20th century, there began to be discussion as well of creativity in the sciences e.
Periods and personalities[ edit ].Creativity is a process involving the generation of new ideas or concepts, or new associations between existing ideas or concepts, and their substantiation into a product that has novelty and originality.
From a scientific point of view, the products of creative thought (sometimes referred to as divergent thought) are usually considered to have both "originality" and "appropriateness.". How Do the Writers of the Bible Explain the Concept of God as Creator? Essay How do the writers of the Bible explain the concept of God as creator?
The concept of God as This can be depicted also in the Latin phrase ‘creatio ex nihilo’ meaning creation from nothing; exhibited within Genesis. The doctrine of creatio ex nihilo illustrates a very important feature of creation theology: it is a principle drawn from an interpretation of biblical revelation, not a conclusion drawn from scientific observation.
The Myth Of The Universe - Before science, in ancient times people used creation myths to explain the origin of the universe. Since we humans are and always have been very curious creatures, at all times we always needed explanations and answers about the universe.
According to Mormonism, creation ex nihilo (out of nothing) is not to be found in the Bible and is untrue: God created the universe out of matter that pre-existed, and ex nihilo creation is a invention of the apostasized post-Apostolic church.
Within Mormon documents, the clearest statement of this doctrine is not found in any of the Standard. There is evidence in the bible supporting both creatio ex nihilo and ex materia. Despite the simplicity of defining the concept of “nothingness” (a pronoun denoting the absence of anything), it is still difficult to understand nothingness as a concept.